in YM Cinema
iColorist instructor Blake Jones shares his tips & tricks on how to set up a professional remote color grading “office”, including displays, storage, control panels and processing.
“Whether by choice or forced by circumstance, many post-production and film professionals have pivoted to working from home some or all of the time. Practically, this meant a scramble to set yourself up for remote work… The first thing to consider is where you will be working – now and in the future – and how much equipment you can fit or carry…”
