Kevin Shaw, Warren Eagles, Robert Wanat and CJ Dobson discuss how to set up your own color grading suite, including budgeting your setup; designing your room; choosing a display; calibrating; optimising for Client Experience.
Colorist Warren Eagles does a walk through of his LG UltraFine OLED Pro monitor and how he uses the OLED display to deliver world-class work to all his projects.
Kevin Shaw unboxes the LG UltraFine OLED Pro Display (32 EP950). He is looking for the best reference display for a home studio – is this the one?
In this In this episode of monthly livestream ‘Color Space Cadets’, we discussed grading for the internet, including: HDR for YouTube; Color Space Tags; Phone viewing; Best practices for online content.
Blake Jones shares his tips & tricks on how to set up a professional remote color grading “office”, including displays, storage, control panels and processing in YM Cinema Magazine.
Our annual iColorist survey takes a snapshot of what cameras, software & projects people are working on, plus fees and conditions. Here are the results of this year’s:
Watch sessions on color grading tips, HDR, calibration, monitors & displays, colorists’ fees, updates on the latest tech, color science, restoration, filmmaking, camera technology, Women in Film, the Representation of People of Color in Post and more.
A downloadable 17-step monitor calibration checklist from Professional Video Alliance for setting up your display for color grading, editing, or other post-production.
In this video, Kevin Shaw unboxes and evaluates the ASUS ProArt PA27UCX-K monitor. Is it suitable for colorists and photographers? Is it an affordable HDR reference monitor?
