Blake Jones shares his tips & tricks on how to set up a professional remote color grading “office”, including displays, storage, control panels and processing in YM Cinema Magazine.
Digital Cinema Report features iColorist in a profile of the Academy and its mission. Nick Dager reports on why the Academy was set up, who it serves and why.
In SHOOT Magazine, Blake Jones looks at the major developments shaping the grading and post landscape. Developments catalysed by the global pandemic have changed the way that colorists work – potentially forever.
