This series of six (6) three-hour live online classes is a follow up to our CT123 course.

There are plenty of opportunities for Q&A. This is the second in a series of three. See also C323 Look Development and Color Grading. You do not have to complete CT123 to take any class in this series.

This series is ideal for directors, cinematographers, DITs, post supervisors, editors, VFX artists, conform artists, colorists, assistant colorists, and anyone else interested in knowing more about the collaborative process between the cinematographer on-set and the colorist in the finishing suite.

This series takes a very practical approach and begins with setting up color grading projects ready for finishing. We use daVinci Resolve, which is freely available, the example color correction system throughout the series, but the principles you will learn apply equally to any other grading software. We follow the interaction between editing, VFX, and final color, and dig deeper into the Academy Color Encoding System (ACES), other color management solutions, and the fundamentals of color grading.

By the end of this series, you will have a thorough grasp of technical grading and matching and be able to use Kevin Shaw’s unique approach to optimizing and tweaking images while remaining consistent with the vision captured during production.

The last two classes in this series cover look development using inspiration as well as perspiration. Contrary to popular belief, there is a huge difference between matching the look of another film and developing that look into something new to enhance your project.

Kevin Shaw is unwavering in his commitment to perfection. He approaches each project with an insatiable hunger to understand the vision and painstakingly translate it into a meaningful reality.

Students that take at the complete series of six classes receive an ICA certificate.

Each class will be recorded and made available to participants and to those who could not attend the live session.

  • Class 7: Project Management: Good housekeeping in the color suite, using daVinci Resolve as an example.
  • Class 8: Preparing to Finish: How the plan finally comes together!
  • Class 9: ACES and other Color Management Systems: Flying with the ACES. Simplify the technical and focus on the creative.
  • Class 10: Technical Grading: Primary steps to reveal the masterpiece within.
  • Class 11: What Makes Pictures Better? How to improve inspiration with perspiration.
  • Class 12: Look Management: Get your check list for matching and then developing looks.

You Will Learn

  • Resolve project settings and color management.
  • How to conform before grading.
  • All about ACES, Arri, and other color management systems (CMSs).
  • How to get a great technical grade
  • Offset and contrast versus lift, gamma, and gain.
  • The difference between a CDL and technical grading.
  • What makes a “look” iconic.
  • Cinematic uses of color and contrast.
  • How to analyze and reproduce reference looks.

Available on demand. Register at  https://www.finalcolor.com/registration.



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