Kevin Shaw, Warren Eagles, Robert Wanat and CJ Dobson discuss how to set up your own color grading suite:
- Budgeting your setup
- Designing your room
- Choosing a display
- Calibrating
- Optimising for Client Experience
This webinar presented by iColorist is sponsored by LG UltraFine OLED Pro.
CJ Dobson
CJ is a freelance colorist from Melbourne who works in all areas of film from high end TVC to feature length productions. She has over a decade of experience at some of the industry’s leading post production facilities including Digital Pictures, iloura, Method Studios and more. See more about CJ Dobson’s lab at moodlab.online/ or @moodlab.online on Instagram.
Doesn’t higher room light influence the perception of the images contrast ratio? Regarding the higher lights, CJ is yet to refine the track lighting. It’s designed to softly light down the walls to create light level in the room without any reflections or shining down onto anyone from overhead. Each globe is also adjustable.
Robert Wanat & LG
Robert Wanat is a staff researcher at LGE Zenith. His work revolves around creating models of the human visual system that simulate visual perception and how it’s affected by changing viewing conditions. He graduated with a Ph.D. from Bangor University in Bangor, Wales, and an M.Sc. from the West Pomeranian University of Technology in Szczecin, Poland.
LG recently released the newer 32inch and 27inch BP95E (32BP95E/27BP95E) which come with a detachable self-autocalibration sensor and monitor hood. They deliver the accurate color reproduction and superior HDR and SDR performance that professional visual effects artists, video editors, and other creative industry professions require. Contact LG about sales at See more at https://www.lg.com/global/business/inquiry-to-buy
