ACES introdujo una manera fácil de trabajar con la más alta calidad, su entorno de trabajo nos permite hacer transformaciones de un espacio de color a cualquier otro de una manera bastante fácil.
Hoy tenemos herramientas para transformar de un espacio de cámara a un espacio de color de línea de tiempo y de allí a un dispositivo de visualización, esto hace que hacer HDR y múltiples entregables usando color management sean mucho fácil. Los flujos de color management se utilizan comúnmente en grandes canales y Netflix los recomienda en gran medida.
En esta clase, se aprenderá sobre las ventajas del color management y la diferencia entre los flujos de trabajo referidos a escena y referidos a pantalla. Se explorarán ACES y RCM tanto en sdr como en HDR , se aprenderán cuándo y cómo usar ambos para obtener resultados de mejor calidad y para realizar diferentes entregables. Se hará una simulación de un flujo de trabajo de color completo desde set hasta colorización
Ideal para jefes de posprpoducción, coloristas y todos los profesionales de la industria que trabajan con múltiples proyectos de cámara o necesitan comunicar la intención artística durante la producción y postproducción. El curso cubre ACES, color management workflows, Dolby vision, flujos de trabajo referidos a escenas y de salida.
¿Qué se aprenderá?
- Configuración del proyecto en ACES
- Conceptos básicos de teoría de color
- Introducción al flujo de trabajo de color management
- Configuración del proyecto en ACES
- Enfoques referidos a escena y referidos a la pantalla
- Configuración del proyecto de Resove Color management
- Espacios de color
- EOTF
- Transformaciones de color versus LUT
- Gestión de looks durante la preproducción y postproducción (show look-clip look)
- Trabajo de CDL´S
- Entrega de múltiples formatos
- Flujos de trabajo de cine y VOD
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Learn the theory and practice of ACES developed by the Science and Technology Council (STC) of the Academy of Motion Picture Arts & Sciences (AMPAS). See how ACES is set to improve and simplify post-production workflow, restore and preserve current motion picture assets, and create a standard that is ready for future technologies.
This class is suitable for experienced cinematographers, DITs, post production professionals and supervisors. It assumes a basic knowledge of post production techniques but no previous color science knowledge is needed. Netflix and many VFX departments prefer ACES, find out why.
Includes how ACES is best applied to the DI pipeline from on set to TV set and how it aids CGI/VFX integration. Learn to use input transforms (IDT), output transforms (ODT) and how to create your own ACES LUTs
A basic understanding of post production techniques is expected but no previous color science knowledge is required. Resolve will be used for demonstration but information applies to any ACES compliant software.
See a list of upcoming classes
You Will Learn
- What is ACES?
- About input transforms (IDT) to bring different cameras into ACES.
- The four key colour transforms: IDT, LMT, RRT, and ODT.
- Using ACES in the DI pipeline, and how it aids CGI/VFX integration.
- ACES AP0 and AP1 color spaces and when to use them
- About output transforms for different displays and deliveries
- Setting up ACES projects in Resolve
- ACES for HDR
- ACES and archiving
- ACES vs other color managed workflows
Powered by Wild Apricot Membership Software
Learn the theory and practice of ACES developed by the Science and Technology Council (STC) of the Academy of Motion Picture Arts & Sciences (AMPAS). See how ACES is set to improve and simplify post-production workflow, restore and preserve current motion picture assets, and create a standard that is ready for future technologies.
This class is suitable for experienced cinematographers, DITs, post production professionals and supervisors. It assumes a basic knowledge of post production techniques but no previous color science knowledge is needed. Netflix and many VFX departments prefer ACES, find out why.
Includes how ACES is best applied to the DI pipeline from on set to TV set and how it aids CGI/VFX integration. Learn to use input transforms (IDT), output transforms (ODT) and how to create your own ACES LUTs
A basic understanding of post production techniques is expected but no previous color science knowledge is required. Resolve will be used for demonstration but information applies to any ACES compliant software.
See a list of upcoming classes
You Will Learn
- What is ACES?
- About input transforms (IDT) to bring different cameras into ACES.
- The four key colour transforms: IDT, LMT, RRT, and ODT.
- Using ACES in the DI pipeline, and how it aids CGI/VFX integration.
- ACES AP0 and AP1 color spaces and when to use them
- About output transforms for different displays and deliveries
- Setting up ACES projects in Resolve
- ACES for HDR
- ACES and archiving
- ACES vs other color managed workflows
Powered by Wild Apricot Membership Software
Learn the theory and practice of ACES developed by the Science and Technology Council (STC) of the Academy of Motion Picture Arts & Sciences (AMPAS). See how ACES is set to improve and simplify post-production workflow, restore and preserve current motion picture assets, and create a standard that is ready for future technologies.
This class is suitable for experienced cinematographers, DITs, post production professionals and supervisors. It assumes a basic knowledge of post production techniques but no previous color science knowledge is needed. Netflix and many VFX departments prefer ACES, find out why.
Includes how ACES is best applied to the DI pipeline from on set to TV set and how it aids CGI/VFX integration. Learn to use input transforms (IDT), output transforms (ODT) and how to create your own ACES LUTs
A basic understanding of post production techniques is expected but no previous color science knowledge is required. Resolve will be used for demonstration but information applies to any ACES compliant software.
See a list of upcoming classes
You Will Learn
- What is ACES?
- About input transforms (IDT) to bring different cameras into ACES.
- The four key colour transforms: IDT, LMT, RRT, and ODT.
- Using ACES in the DI pipeline, and how it aids CGI/VFX integration.
- ACES AP0 and AP1 color spaces and when to use them
- About output transforms for different displays and deliveries
- Setting up ACES projects in Resolve
- ACES for HDR
- ACES and archiving
- ACES vs other color managed workflows
Powered by Wild Apricot Membership Software