Shoot it right in camera as much as you can. Not all jobs have a budgets or time to be perfect, but be perfect when you can. Don’t rely on some colorist to fix your mistakes. Unlike a still photographer that follows his work from camera to delivery, most DP’s leave their work when they leave the set. If they make mistakes, those mistakes are corrected by a colorist in post production. When the DP finally sees his/her work, it looks better, and most often they think they did a great job, no, the colorist did a great job saving your project.
There is no free lunch. For every under/over exposure, every incorrect color setting, their is a consequence. You cannot correct without damaging your image quality, period. Most feel they can get by being sloppy, it’s very common today, blown highlight, underexposure to the point of no information at all. This is not rocket science, shoot smarter, shoot better, be a contributor to the filmmaking process, and not the loose canon, or ego maniac.
I believe it would be in every DP’s best interest to go back to school and learn how to shot digital, learn why to shoot a gray card, learn or re-learn the basics, because in the end, it will only serve you well.
As a commercial still photographer, I know most cinematographers if given a still assignment, would fail. Why, because they cannot light, and they cannot make a single image beautiful. I’m not saying all, but most. This is a challenge to all DP’s, make beautiful images, one frame at a time, don’t sabotage your work for fear of a colorist or editor ruining it. Deliver the very best image, the very best color, the very best exposure to insure your projects success. Don’t be afraid, or fear will be your enemy.
For those of you that just got in the business, learn how to shoot, don’t be a hack!!