Podcast: Play in new window | Download (Duration: 54:15 — 74.5MB)
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Gino is one of the leading color graders in Peru. I first met Gino when he came to my iColorist NYC class in 2012. It was great catching up again for the CT Podcast.
Podcast: Play in new window | Download (Duration: 1:05:34 — 90.0MB)
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Juan started his first company aged 17 in Madrid, Spain. He prepped for his first color grade by reading the Mistika manual on a 5 hour car drive from Madrid to Malaga. Once in Malaga he graded his first short film and his career as a colorist was launched.
Podcast: Play in new window | Download (Duration: 1:01:47 — 84.9MB)
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I visited Toby at CHEAT in 2018. It is a fantastic facility situated in Hackney East London, very close to where I went to school. We checked out his facility and then went to his local pub for a pie and a pint
Podcast: Play in new window | Download (Duration: 1:06:38 — 152.5MB)
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Walter is one of the world’s leading Color graders. He has coloured over 100 features including Green Book, Star Wars The Last Jedi, and Dunkirk. Walter is currently working for Company 3.
Do you often find yourself doing a bit of everything? In this new course from the ICA we will start with a 3 camera shoot ( RED, BMCC, SONY)
Podcast: Play in new window | Download (Duration: 42:55 — 58.9MB)
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Junbin Chen is one of the top colorists based in Singapore. This is our pre COVID-19 chat that took place at a post house called Iceberg. JB has coloured over 25 features, 20 TV series and 100s of TVCs.
I am often asked about my views on color topics. Here are five of the most asked questions about color grading.
How to use the A (Edit Mode) or C (Shooting Mode) to sort your time before grading in DaVinci Resolve.
Podcast: Play in new window | Download (Duration: 52:08 — 71.6MB)
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Chema Alba is one of Spain’s premier color graders. Chema talks about the transition from film grader to coloring Netflix TV shows. He started out at a film scanning company. Handling film gave him the taste for colouring so he pursued the big manufactures to loan him a machine so he could practice.
This showed his enthusiasm, because at the time he wasn’t a colorist and the systems were over $300,000!
