Do Film Schools neglect Color Grading?
Do Film Schools neglect Color Grading?
Based on my recent experience in Australia the answer is probably yes! Read on for a possible solution.
Do Film Schools neglect Color Grading?
Based on my recent experience in Australia the answer is probably yes! Read on for a possible solution.
“After a gap of 12 years I am heading back to Manila. Between 2006 and 2012 I was a regular visitor running a combination of demos, private classes and roadshows. This goes back to the early da-Vinci Resolve days where a turnkey system cost around $300,000US
I first saw a demo of daVinci Resolve in 2005. It was a $400,000 system, the hardware rack was the size of a doorway and it took a Resolve engineer two days to install
The Showdown Showcase is a film festival that encourages new film makers living on Australia’s Sunshine Coast. It’s the 3rd year of the festival and this year (2024)
The Resolve GUI was piped to the 5 metre virtual screen. The best a GUI has ever looked and no projector shadow meaning I could point out things on the screen.
In 2017 Michael McCool from Hill Air Force Base in Utah joined my AbelCine class in Burbank. He had lots of production experience but wanted to see how Resolve could help their post team be more efficient.
On July 20, Blackmagic Design and IntekTV hosted South America’s first ever Colorist Mixer at Country Club Lima in Peru. Held in conjunction with Blackmagic Week, the event drew an enthusiastic crowd of approximately 60 people from across Latin American. It was also streamed with the help of the Davinci Resolve Latino community and you can watch it back here.
I have just returned from Abelcine in Burbank, California having run classroom training for the first time in 3.5 years! This time we switched things up a little with students joining the workshop via ZOOM alongside those in the classroom.
After a gap of 4 years the NAB Colorist Mixer made a triumphant return to Las Vegas.