NAB Post Production Color Day Tuesday 9th April
Warren Eagles discusses the PPW Color Day at NAB on Tuesday April 9th
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Color Tour Podcast on Public Transport
2018 saw the start of the Color Tour Podcast. My aim as part of it’s first year was to get from every Airport to the City I was working in using Public Transport. This proved an interesting challenge, but one I enjoyed very much.
Griffith Film School
Warren visits Griffith Film School in his home town of Brisbane and spends a week with their second year students.
ICA Beijing Report
Beijing ICA Summer 2018 We have received lots of training enquiries from China during our nine years so it was great to finally run ICA classes in Beijing. Where and When? Color Palette and Fengtai Vocational school in Beijing from July 16 to 20, 2018. The Color Palette is centrally located and very close to a train…
Resolve Node Opacity
Kevin Shaw shows four amazingly useful power tricks using Node Opacity in the Resolve color corrector. Trick 4 is his favorite all time trick!
Managing saturation in Resolve
Kevin Shaw shows how to control saturation without the satursation control! Learn some new techniques, some cool looks and the order of processing in Resolve primaries.
A new technique…
There is something very exciting and motivating about finding a new technique. Sadly the more experienced we become as individuals and as a profession the less those truly inspired moments come. So I am happy to share this new find with you. Maybe I am not actually the first to have discovered it, but that…
Private ICA training at Incendio, Venice Beach
On my recent visit to the US I was engaged by Clark Muller, colorist and owner of Incendio to conduct a day of Resolve workflow training. Incendio is a very successful grading shop in Venice Beach, Los Angeles, with big credits for Toyota, Samsung and Lamborghini. They currently use x2 Nucoda Film Masters, running Precision…
Matching a scene by Colorist Warren Eagles
Look at the sequence below. Shot #3, the guy on the balcony is under exposed and #6, the same angle, is overexposed. The big challenge here is to try to match #3 and #6. This is how I would approach it. The tutorial is generic so can be applied to any color corrector. During this…