Thursday 6th November 2014 I saw a preview of “Interstellar” from one of only five 70mm prints in Europe. This is how Christopher Nolan intended us to see his latest epic (much of it was shot on 65mm Imax film) and it turned out to be a really big deal. Roger Ebert wrote of Kubric’s…
I just finished a day of playing with ACES. As part of a white paper (coming soon) Digital Vision invited me to experiment with the full workflow using Film Master, and Dolby kindly loaned a PRM monitor for the occasion. I was able to try some film material scanned ADX and delivered as ACES .exr…
Last year many people contributed to our colorist slant on the Oscar nominations for best picture. It made interesting reading and we have done the same again this year, with the inclusion of Best Cinematography to round the list up to 10. Thanks to everyone that replied here, privately, on the TIG and on the…
Hi all! Couple of days from NAB, iPad just went out and from what I read it looks pretty good. So I think it’s the right time to start a pretty philosophical subject about the difference between looking good and looking right! As an artist, one of the most important things is to be sure…