There’s no doubt COVID has affected our industry significantly. Latest estimates put revenue loss at US$7 billion for global film. But how have colorists themselves been affected? We polled our network for a worldwide snapshot of colorists’ COVID experiences.
This video goes through six of the most requested looks from clients that you should have in your arsenal, plus loads of movie references of each – stay to the end to see the grades applied, without LUTs of course!
In SHOOT Magazine, Blake Jones looks at the major developments shaping the grading and post landscape. Developments catalysed by the global pandemic have changed the way that colorists work – potentially forever.
This webinar covers – How to keep clients; What it takes to be a successful colorist; How to charge and pick jobs; and more
Watch sessions on color grading tips, HDR, calibration, monitors & displays, colorists’ fees, updates on the latest tech, color science, restoration, filmmaking, camera technology, Women in Film, the Representation of People of Color in Post and more.
Kevin Shaw gives a free template for structuring your folders for a color grading or post production project. This important file hygiene can save time and work.
Kevin Shaw unboxes the DaVinci Resolve Speed Editor, installs it and shares his first impressions after a week of working with it. Is it great value? Find out.
Juan Cabrera is a colorist/owner of LightBender Post in Santa Monica. He has worked on some of Hollywood’s biggest tentpole movies and has built his facility around a ‘Boutique Facility tree structure’ that he shares below. Download the file and watch the talk to hear about working for Netflix, the kit he uses, and how…
A downloadable 17-step monitor calibration checklist from Professional Video Alliance for setting up your display for color grading, editing, or other post-production.
