Do we grade before or after VFX?
I often get asked this question, and the answer is every project is different. Being able to grade your elements can really help the way your shot comes together.
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Premiere Pro to Resolve 14
The conform part of Resolve is probably the easiest part for editors to understand. It is still best to start with a small simple timeline in Premiere Pro that you can round trip into Resolve.
Warren Eagles talks about skin tones
Why is skin so difficult to grade? Warren Eagles offer some answers. Thanks to Abelcine for shooting this movie during an RG101 Resolve class in Burbank.
Resolve 9 – Copy a look with Auto Keyframes
How to copy a grade with two keyframed shapes from one clip to another using the Auto Keyframer in daVinci Resolve 9.
Resolve 9 – How to use scratches, grain and fogging material
How to use the Scratch FX series as external mattes in Resolve. Use the effects across the whole timeline or on individual clips.
Resolve 9: Using an offline movie
How to check your conform using a reference movie or offline movie. Also learn how to wipe to it in the Color page and use the chase audio function.
Jim Webb & Mark Clarin discuss RG101: Resolve for Beginners
Two ICA students talk about their experience during Warren’s recent Burbank class.
ICA Open Day at AbelCine Burbank
Warren conducted a Colorist ‘show and tell’ event at AbelCine recently. The session was to preview some of the new ICA classes coming to Burbank followed by some of his favourite colorist tricks and tips. Von Thomas ICA DIT/Colorist and Michael Negrin ASC then joined Warren on stage for a chat about the collaboration between the DP,…
HDR explained
High Dynamic Range (HDR) explained High Dynamic Range (HDR) displays are beginning to appear from several manufacturers. They are destined to revolutionise the entire viewing experience and deliver dramatically improved storytelling for audiences. I have been monitoring (excuse the pun) the technology progress and am now a firm advocate of the potential of HDR and of Dolby…