¿Cómo vivir del color y no morir en el intento?
Presentación completa de Javier Guevara: para aquellos que disfrutaron de esta sesión, pueden ver y descargar las diapositivas de Javi aquí.
Presentación completa de Javier Guevara: para aquellos que disfrutaron de esta sesión, pueden ver y descargar las diapositivas de Javi aquí.
There’s no doubt COVID has affected our industry significantly. Latest estimates put revenue loss at US$7 billion for global film. But how have colorists themselves been affected? We polled our network for a worldwide snapshot of colorists’ COVID experiences.
In SHOOT Magazine, Blake Jones looks at the major developments shaping the grading and post landscape. Developments catalysed by the global pandemic have changed the way that colorists work – potentially forever.
Juan Cabrera is a colorist/owner of LightBender Post in Santa Monica. He has worked on some of Hollywood’s biggest tentpole movies and has built his facility around a ‘Boutique Facility tree structure’ that he shares below. Download the file and watch the talk to hear about working for Netflix, the kit he uses, and how…
I first met Daniel Scalzo in Chicago when he attended my ICA training class in 2018. As a DP he had fantastic tour stories of working with notable artists like Pearl Jam, Peter Gabriel, Sting and Florence and the Machine. My parting comment was if you ever get down to Australia on a tour I’d love to see your workflow.