2021 iColorist Industry Survey
Our annual iColorist survey takes a snapshot of what cameras, software & projects people are working on, plus fees and conditions. Here are the results of this year’s:
Our annual iColorist survey takes a snapshot of what cameras, software & projects people are working on, plus fees and conditions. Here are the results of this year’s:
Podcast: Play in new window | Download (Duration: 56:23 — 129.0MB)
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Dave Hughes is an old school film colorist who worked all over Europe before returning to Ireland to run a Baselight at Windmill Lane in Dublin.
Podcast: Play in new window | Download (Duration: 54:15 — 74.5MB)
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Gino is one of the leading color graders in Peru. I first met Gino when he came to my iColorist NYC class in 2012. It was great catching up again for the CT Podcast.
Podcast: Play in new window | Download (Duration: 1:05:34 — 90.0MB)
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Juan started his first company aged 17 in Madrid, Spain. He prepped for his first color grade by reading the Mistika manual on a 5 hour car drive from Madrid to Malaga. Once in Malaga he graded his first short film and his career as a colorist was launched.
Podcast: Play in new window | Download (Duration: 1:01:47 — 84.9MB)
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I visited Toby at CHEAT in 2018. It is a fantastic facility situated in Hackney East London, very close to where I went to school. We checked out his facility and then went to his local pub for a pie and a pint
Podcast: Play in new window | Download (Duration: 1:06:38 — 152.5MB)
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Walter is one of the world’s leading Color graders. He has coloured over 100 features including Green Book, Star Wars The Last Jedi, and Dunkirk. Walter is currently working for Company 3.
Beijing ICA Summer 2018 We have received lots of training enquiries from China during our nine years so it was great to finally run ICA classes in Beijing. Where and When? Color Palette and Fengtai Vocational school in Beijing from July 16 to 20, 2018. The Color Palette is centrally located and very close to a train…
I just finished a day of playing with ACES. As part of a white paper (coming soon) Digital Vision invited me to experiment with the full workflow using Film Master, and Dolby kindly loaned a PRM monitor for the occasion. I was able to try some film material scanned ADX and delivered as ACES .exr…