There’s no doubt COVID has affected our industry significantly. Latest estimates put revenue loss at US$7 billion for global film. But how have colorists themselves been affected? We polled our network for a worldwide snapshot of colorists’ COVID experiences.
This video goes through six of the most requested looks from clients that you should have in your arsenal, plus loads of movie references of each – stay to the end to see the grades applied, without LUTs of course!
In SHOOT Magazine, Blake Jones looks at the major developments shaping the grading and post landscape. Developments catalysed by the global pandemic have changed the way that colorists work – potentially forever.
This webinar covers – How to keep clients; What it takes to be a successful colorist; How to charge and pick jobs; and more
Podcast: Play in new window | Download (Duration: 1:10:18 — 128.7MB)
Subscribe: RSS
Bob Festa has been coloring for nearly 40 years. As he says, “there is nothing I haven’t seen in front or behind me in a session!”
Watch sessions on color grading tips, HDR, calibration, monitors & displays, colorists’ fees, updates on the latest tech, color science, restoration, filmmaking, camera technology, Women in Film, the Representation of People of Color in Post and more.
How long does it take to grade a whole film? What are the steps? In this article, Warren Eagles explains the end-to-end process of grading a sci-fi thriller indie film.
Kevin Shaw gives a free template for structuring your folders for a color grading or post production project. This important file hygiene can save time and work.
Podcast: Play in new window | Download (Duration: 54:15 — 74.5MB)
Subscribe: RSS
Gino is one of the leading color graders in Peru. I first met Gino when he came to my iColorist NYC class in 2012. It was great catching up again for the CT Podcast.
