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I first saw a demo of daVinci Resolve in 2005. It was a $400,000 system, the hardware rack was the size of a doorway and it took a Resolve engineer two days to install
I first saw a demo of daVinci Resolve in 2005. It was a $400,000 system, the hardware rack was the size of a doorway and it took a Resolve engineer two days to install
The Showdown Showcase is a film festival that encourages new film makers living on Australia’s Sunshine Coast. It’s the 3rd year of the festival and this year (2024)
The Resolve GUI was piped to the 5 metre virtual screen. The best a GUI has ever looked and no projector shadow meaning I could point out things on the screen.
Podcast: Play in new window | Download (Duration: 33:03 — 75.6MB)
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Post NAB 2024 I was invited to the latest Colorist Society Hollywood meet up. Held on the rooftop at the Godfrey Hotel in Hollywood I chatted to a number of top colorists in attendance about how and why they joined the Chapter and what they are currently working on.
As instructors, we often get asked where people should start with grading classes – whether wanting to learn from scratch, refresh existing knowledge, or take their skills to the next level after years in the business. That’s why, in 2024, Kevin Shaw is doing things a bit differently. To make it easier than ever for…
Podcast: Play in new window | Download (Duration: 58:50 — 134.7MB)
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During my recent trip to the US I caught up with Christopher Young owner and Colorist at See Why Color in Brooklyn.
Podcast: Play in new window | Download (Duration: 55:12 — 126.3MB)
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Thomas is the senior colorist and CEO of the Post House ‘The Look.’ They are responsible for shows like Sex Education, Top Boy and Landscapers.
In 2017 Michael McCool from Hill Air Force Base in Utah joined my AbelCine class in Burbank. He had lots of production experience but wanted to see how Resolve could help their post team be more efficient.
On July 20, Blackmagic Design and IntekTV hosted South America’s first ever Colorist Mixer at Country Club Lima in Peru. Held in conjunction with Blackmagic Week, the event drew an enthusiastic crowd of approximately 60 people from across Latin American. It was also streamed with the help of the Davinci Resolve Latino community and you can watch it back here.