“After a gap of 12 years I am heading back to Manila. Between 2006 and 2012 I was a regular visitor running a combination of demos, private classes and roadshows. This goes back to the early da-Vinci Resolve days where a turnkey system cost around $300,000US
I first saw a demo of daVinci Resolve in 2005. It was a $400,000 system, the hardware rack was the size of a doorway and it took a Resolve engineer two days to install
The Showdown Showcase is a film festival that encourages new film makers living on Australia’s Sunshine Coast. It’s the 3rd year of the festival and this year (2024)
The Resolve GUI was piped to the 5 metre virtual screen. The best a GUI has ever looked and no projector shadow meaning I could point out things on the screen.
Podcast: Play in new window | Download (Duration: 33:03 — 75.6MB)
Subscribe: RSS
Post NAB 2024 I was invited to the latest Colorist Society Hollywood meet up. Held on the rooftop at the Godfrey Hotel in Hollywood I chatted to a number of top colorists in attendance about how and why they joined the Chapter and what they are currently working on.
Podcast: Play in new window | Download (Duration: 58:50 — 134.7MB)
Subscribe: RSS
During my recent trip to the US I caught up with Christopher Young owner and Colorist at See Why Color in Brooklyn.
Podcast: Play in new window | Download (Duration: 55:12 — 126.3MB)
Subscribe: RSS
Thomas is the senior colorist and CEO of the Post House ‘The Look.’ They are responsible for shows like Sex Education, Top Boy and Landscapers.
In 2017 Michael McCool from Hill Air Force Base in Utah joined my AbelCine class in Burbank. He had lots of production experience but wanted to see how Resolve could help their post team be more efficient.
Podcast: Play in new window | Download (Duration: 36:40 — 83.9MB)
Subscribe: RSS
The Color Tour Podcast visits Park City in Utah to chat with Crash Carlucci.
