Color Grading for Photographers
Are you a photographer looking to shoot moving footage. Obviously you want the same image control over your moving images as you do when retouching your stills.
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Creating a cool B/W look in Resolve
Using the RGB mixer to grade your black and white picture is like introducing color filters into black and white photography.
Warren Eagles talks about skin tones
Why is skin so difficult to grade? Warren Eagles offer some answers. Thanks to Abelcine for shooting this movie during an RG101 Resolve class in Burbank.
Resolve LOG Controls
Learn why the log tool set (printer lights) is also relevant in a digital world and make grading easier.
Resolve — Changing the grade across a dissolve using keyframes
How to grade through dissolves when working with a single baked clip using keyframes. Using the scene cut detector, where do you put the cut in a dissolve? This is a question I get asked all the time. Remember if you want to know more than just how to use the software then check out…
River Camera Shoot-Out
Take a look at how these different cameras hold up when graded using one node only in Resolve. Lens are matched where possible and graded to match a “normal REC709” look. We tested these cameras: C300 ProRes 422 HQ recorded via a Samurai C300 Mpeg 2 .mxf BMCC 2.5 RAW .dng BMCC 2.5 ProRes 422…
Resolve 9 – Copy a look with Auto Keyframes
How to copy a grade with two keyframed shapes from one clip to another using the Auto Keyframer in daVinci Resolve 9.