En nuestra labor cómo coloristas recibimos lineas de tiempo de diferentes tipos de software de edición.
Muchas veces conformar estas lineas de tiempo es doloroso, especialmente cuando no recibimos los elementos que son necesarios para realizar una conformación
Crea tu propio Resolve Mega Pack y obtén un descuento fantástico. Ahorrará un 40% comprando tres cursos y 45% comprando cuatro cursos. El curso Insider Techniques for the Pro Colorist se están traduciendo actualmente. Cuando finalice la traducción, recibirás los subtítulos en español de forma gratuita. La traducción estará lista a fines de Octubre de 2019. Agregue cursos a su Mega Pack haciendo clic en el botón + en los productos que desea. Una vez que haya seleccionado tres o cuatro cursos, verá los descuentos y podrá agregar el Mega Pack a su carrito para pagar.
Martin is a colorist based in Vancouver. He has kindly let me share his Courtroom review. Normally reviews are only shared in the FXPHD ‘ Looks and Matching’ Forum. Martin can be found @matin.colours on Instagram.
Here is a short montage from the longform jobs I have coloured over the last few years at my grading shop in Brisbane, Australia.
I am often asked about my views on color topics. Here are five of the most asked questions about color grading.
How to use the A (Edit Mode) or C (Shooting Mode) to sort your time before grading in DaVinci Resolve.
Travelling to different locations to run ICA classes is something I really enjoy. I feel that as a colorist you benefit from your experiences. You can inject your visions into your color sessions.
For this reason I have started a Vlog that showcases our travels and gives a little behind the scenes insight into our training classes.
Podcast: Play in new window | Download (Duration: 52:08 — 71.6MB)
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Chema Alba is one of Spain’s premier color graders. Chema talks about the transition from film grader to coloring Netflix TV shows. He started out at a film scanning company. Handling film gave him the taste for colouring so he pursued the big manufactures to loan him a machine so he could practice.
This showed his enthusiasm, because at the time he wasn’t a colorist and the systems were over $300,000!
