Resolve LOG Controls
Learn why the log tool set (printer lights) is also relevant in a digital world and make grading easier.
Read more
Resolve — Changing the grade across a dissolve using keyframes
How to grade through dissolves when working with a single baked clip using keyframes. Using the scene cut detector, where do you put the cut in a dissolve? This is a question I get asked all the time. Remember if you want to know more than just how to use the software then check out…
River Camera Shoot-Out
Take a look at how these different cameras hold up when graded using one node only in Resolve. Lens are matched where possible and graded to match a “normal REC709” look. We tested these cameras: C300 ProRes 422 HQ recorded via a Samurai C300 Mpeg 2 .mxf BMCC 2.5 RAW .dng BMCC 2.5 ProRes 422…
Resolve 9 – Copy a look with Auto Keyframes
How to copy a grade with two keyframed shapes from one clip to another using the Auto Keyframer in daVinci Resolve 9.
Resolve 9 – How to use scratches, grain and fogging material
How to use the Scratch FX series as external mattes in Resolve. Use the effects across the whole timeline or on individual clips.
Resolve 9: Which codecs do I have?
How to find out what codec, frame size and frame rate you are working with.
Resolve 9: Using an offline movie
How to check your conform using a reference movie or offline movie. Also learn how to wipe to it in the Color page and use the chase audio function.
NAB 2016 Colorist Mixer raffle winners
What a great night. The Colorist Society International CSI launched. Big thx to Kevin and Jim for getting the ball rolling, all we have to do now is support it. So if you are thinking about it….Just do it:) Huge thanks to all our major sponsors and for those who donated raffle prizes. The event…