I just finished a day of playing with ACES. As part of a white paper (coming soon) Digital Vision invited me to experiment with the full workflow using Film Master, and Dolby kindly loaned a PRM monitor for the occasion. I was able to try some film material scanned ADX and delivered as ACES .exr…
During my recent Resolve 201 class my students and I were lucky enough to get the chance to visit DreamWorks in Los Angeles. Jeff Olm is one of the world’s leading stereo 3D colorists and also a member of the ICA. Jeff has been at the forefront of stereo grading since Journey to the Center…
Hundreds of colorists have now benefitted from International Colorist Academy classes, and many have demonstrated their satisfaction by coming back for more. We love staying in touch with everyone and getting feedback to improve what we do and to help colorists everywhere. Lots of great suggestions are sent in and we act on them as…