Cameramen today must understand color — not only the use of color on set, but also about color correction in post. If you know what is possible in a color correction suite, you can communicate must more effectively with colorists, DITs, directors, and the other people involved in the process. We will discuss the choice of using color filters on set or in in post as well as use of standard or custom LUTs.
This class is ideal for DOPs, DITs, and Camera-Assistants — basically anybody of the camera department with a desire to know more about color.
You Will Learn
- The theory of color
- Introduction to daVinci Resolve
- Color-safe workflows
- How to import different codecs and use of different cameras in one project
- Multi-camera projects
- The use of ACES on set and in post
- The use of custom LUTs
- Fixing camera errors/mistakes in color-correction
- Color inspiration
- The future and HDR