“We can fix it in post, but only if the cameraman knew what he was doing.”
Camera and Color-Correction are coming closer and closer, as a modern cameraman you need to know about COLOR. Not only the use color on set, but also about color-correction in post. If you know what is possible within the Color-Correction-Program, your communication with the colorist will be much easier. We will discus the choice of using color-filters on set or in in post-production, just as the use of standard or custom LUTs.
This class is ideal for DOPs, DITs, and Camera-Assistants, basically anybody of the camera department with a desire to know more about color.
What You Will Learn
- The theory of color
- Introduction to DaVinci Resolve
- Color-safe workflows
- How to import different codecs and use of different cameras in one project
- Multi-camera projects
- The use of ACES on set and in post
- The use of custom LUTs
- Fixing camera errors/mistakes in color-correction
- Color inspiration
- The future and HDR
Locations and booking info
This is a two day course offered in Amsterdam. Fee is 800 Euros.
Please contact Guy Molin to learn about course locations and to reserve your spot.