Synopsis – 2 Days
This is a new class designed to introduce new workflows that have recently been introduced and how to grade for them. Ideal for colorists and industry professionals that will encounter ACES, High Dynamic Range (HDR including Dolby Vision), UHD, Rec 2020 and wide color gamut. We look at how grades and looks are affected by these new developments and which tools are most useful to achieve bigger better color. The course content is not system specific but there will be practical sessions and demonstrations. Laptop systems are welcome in the class. Participants are encouraged to bring frames or clips to discuss.
The first session covers the theory and practice of the Academy Color Encoding System (ACES), how to work with it and why it is so useful. The session is followed by a practical workshop. The second session covers HDR, and the various formats including Rec 2084 (PQ) and Dolby Vision. It is also followed by a practical workshop. The concluding session is a discussion on digital cinema and UHD applications followed by a Q & A.
London: £810 2 days with Kevin
- 10-11 April 2017 info/register
New York*: 2 days with Kevin
- 20-21 April 2017 info/register
Los Angeles*: 1 day (ACES) with Kevin
- 19 May 2017 info/register
*This class is recognized by the Motion Picture Editors Guild and their members are eligible to get two thirds of cost of the class reimbursed through Contract Services. More information at www.csatf.org. You must apply to them and be pre-approved in order to qualify for reimbursement.
You Will Learn
- ACES file formats
- ACES color space
- ACES workflows
- ACES grading
- Understanding HDR
- PQ and rec 2084
- Grading HDR
- Dolby Vision in practice
- UHD and rec 2020
All students on this course receive an ICA Certificate.
There are regular open classes in London. Other locations are arranged on demand. This class can also be run privately on site.
- Phone (worldwide requests) +44 7921 677369